Prophecies of the Breach: The Whiteness and Blackness of Sea Monsters

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2014
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Haverford College. Department of English
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eng
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Haverford users only
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This essay addresses racial monstrosity in the sea-monsters of two important novels from the antebellum United States: the "shrouded human figure" in Poe's Narrative of Arthur Gordon Pym (1839) and the White Whale in Melville's Moby-Dick (1851). Whereas scholarship on the racial monstrosity of these monsters has historically read them allegorically as products of the specific conditions of pre-Civil War America, I argue for transcending the allegorical reading. I read the monstrosity of Moby Dick and the "shrouded human figure" rather as rooted in fears and desires that were not abolished with slavery, and are not confined to a historical moment. They blur metaphysical boundaries that are fundamentally human, lying between known and unknown, self and other, white and black. I argue that, given an allegorical reading, Poe's sea-monster embodies a fear of racial revolution that is racist; but becomes a more-destructive metaphysical fear of blackness overtaking whiteness when one moves beyond the allegorical/historical reading. Similarly, for Ahab Moby Dick embodies the fear of blackness usurping whiteness, but Melville offers something that Poe does not: a way of viewing the monster that reconciles whiteness with blackness. Melville's antidote to the monster is linked to the abolitionist mentality that blends black and white America into a new and coherent whole. But, more importantly, his vision of peaceful incorporation (rather than violent division) turns the boundary between white and black from a source of fear into a catalyst for transcendent human communion.
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