• Nate Rehm-Daly Fine Arts Senior Thesis Project 

  Rehm-Daly, Nate (2016)

  As technology changes, how do the ways we represent ourselves change? How do we represent ourselves in our artificial creations? As the boundaries between ourselves and robots become less clear, what does it mean to be ...
• Tirsa Delate Fine Arts Senior Thesis Project 

  Delate, Tirsa (2016)

  Each time my mother has been diagnosed with cancer, the bond that we share has been tested. In the past, we always joked about her never getting colds, just cancer. Currently, she is undergoing treatment for her sixth ...
• Ali Shaw Fine Arts Senior Thesis Project 

  Shaw, Ali (2016)

  For as long as I can remember, whenever I gazed into the mirror I would be overcome with shame. My nose was too big, eyes too small, or gut too large. Surely I must be a monster, for I am far too hideous to be deserving ...
• Alexandria Wang Fine Arts Senior Thesis Project 

  Wang, Alexandria (2016)

  As a child, my mother always took me to department stores for shopping. I found the mannequins in the window display fascinating. For me, they were like actual human beings, only prettier. Window designers dress the ...
• Marcia Lee Fine Arts Senior Thesis Project 

  Lee, Marcia (2016)

  I am part of a generation of Asian-Americans who cannot speak the languages of their grandparents, who cannot fathom the struggles of their immigrant elders, and cannot begin to comprehend the extent of cultural disconnect ...
• Zoë Lewis Fine Arts Senior Thesis Project 

  Lewis, Zoë (2017)

  Growing up, I always admired the natural beauty of my home state of South Carolina. The variety of ecosystems across the state, from the coastal waterways up through the Piedmont Mountains, provides a variety of homes for ...
• Airen McClure Fine Arts Senior Thesis Project 

  McClure, Airen (2016)

  I’ve always carried dreams of what my body could be one day. Sometimes they scream from within me and shake me down to my bones, while other times they have been completely drowned out by other voices in my life. As children, ...
• Between the Dawn and Dark of Night 

  Newman, Natalie (2017)

  I believe in the potential of art and other transcendent experiences to inspire growth in the way we treat each other, and the way we treat the earth. By “transcendent experience,” I mean anything that induces heightened ...
• What Grounds Me(an) 

  Méndez Alba, Jennifer (2017)

  Memories are strongly linked to places, and homes represent a refuge for most. I’ve spent part of every year in the Dominican Republic. My family home there has served as a protective and peaceful place set apart from where ...
• Breathe 

  Montinola, Juliana (2017)

  Hailing from Manila, Philippines, I am no stranger to dense, chaotic environments wrought with overpopulation and poor air quality. With little access to green spaces, I became drawn to plants. I was fascinated by their ...
• A South Street Aperture 

  Blanco, Holden (2017)

  I’ve never been very good at drawing or painting. I always used to try to draw pictures of my family and friends, or my favorite fantasy movie characters. My pictures never came out exactly the way I wanted until I discovered ...
• Gray 

  Larsen, Cordelia (2017)

  Haitian Vodou has long been stigmatized and tainted, warped by Western projections that connect the religion to witchcraft and death. Historically, Vodou, a syncretic religion practiced chiefly in Haiti and the Haitian ...
• Hello from the Past 

  Wen, Connie (2017)

  Art is something that I have always loved from the bottom of my heart. It is a way for me to communicate stories and ideas; it is a way for me to keep myself awake during classes; it is a way for me to understand the world. ...
• In Translation 

  Nguyen, Chau (2017)

  I paint messy. I paint when I am tired, agitated, relaxed, miserable, in despair. I paint utterly unprepared. The only things governing my brushstrokes, then, are fragments of my memory and the canvas before me. I paint ...
• Senior Thesis Recital 

  Meng, Shuyu (2017)
• Abindarráez, el morisco perfecto 

  Durlacher, Peter (2017)

  In 711, the Muslim moors of North Africa invaded the Iberian Peninsula; the period between 711 and the expulsion of the Jews from Spain in 1492 is understood as a time of convivencia, or coexistence. This convivencia ended ...
• Trauma, Memoria y mito: La Representación de Pablo Escobar en el Ruido de las Cosas al Caer, Pablo Escobar: El Patrón del Mal y Narcos 

  Koch, Lucy (2017)

  El trauma producido en Colombia por el tráfico de las drogas lleva temas que invitan a un examen del control humano y las características que definen un héroe, asuntos en que el mito se enfoca y articula. Eso hace que la ...
• “Que no se adore ninguna señora ni señorita”: La poética de la feminidad en las canciones políticas de Violeta Parra 

  Gross, Isabel (2017)

  In this paper I examine the political songs of Chilean poet and ethnomusicologist Violeta Parra. I propose that, throughout her career, Parra develops a mode of narration that is explicitly feminine. Over time, this narration ...
• Narrativas y realidades de inmersión: aplicaciones de lo fantástico en La invención de Morel y Tlön, Uqbar, Orbis Tertius 

  Davis,Stephen (2017)

  Uno de los objetivos de esta tesis es examinar cómo María de Zayas y Artemisia Gentileschi expresan el dolor femenino a través de la representación de la violencia ejecutada contra y por las mujeres. Al retratar esta ...
• El cuerpo rechaza: la violencia en María de Zayas y Artemisia Gentileschi 

  Zhou, Youkun (2017)

  Uno de los objetivos de esta tesis es examinar cómo María de Zayas y Artemisia Gentileschi expresan el dolor femenino a través de la representación de la violencia ejecutada contra y por las mujeres. Al retratar esta ...

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