Ears wide open: sound and alienation in Tati's "Play time: and Kubrick's "2001: a space odyssey"

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dc.contributor.advisorCastillo Sandoval, Roberto
dc.contributor.advisorKing, Homay, 1972-
dc.contributor.authorTravis, Melanie
dc.date.accessioned2008-08-21T15:40:03Z
dc.date.available2008-08-21T15:40:03Z
dc.date.issued2008
dc.description.sponsorshipBi-College (Haverford and Bryn Mawr Colleges). Comparative Literature Program
dc.identifier.urihttp://hdl.handle.net/10066/1510
dc.language.isoeng
dc.rights.accessBi-College users only
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/us/
dc.subject.lcshKubrick, Stanley. 2001, a space odyssey
dc.subject.lcshTati, Jacques -- Criticism and interpretation
dc.subject.lcshMotion picture soundtracks
dc.subject.lcshKubrick, Stanley -- Criticism and interpretation
dc.subject.lcshTati, Jacques. Play time
dc.subject.lcshAlienation (Social psychology) in motion pictures
dc.titleEars wide open: sound and alienation in Tati's "Play time: and Kubrick's "2001: a space odyssey"
dc.typeThesis
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