Language and Harmony: Musical Form in T.S. Eliot's "Burnt Norton"

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dc.contributor.advisorFinley, C. Stephen
dc.contributor.authorHaglund, Erika Leigh
dc.date.accessioned2014-05-28T13:06:51Z
dc.date.available2014-05-28T13:06:51Z
dc.date.issued2005
dc.description.sponsorshipHaverford College. Department of English
dc.identifier.urihttp://hdl.handle.net/10066/13974
dc.language.isoeng
dc.rights.accessHaverford users only
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/us/
dc.subject.lcshEliot, T. S. (Thomas Stearns), 1888-1965. Burnt Norton
dc.subject.lcshEliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation
dc.subject.lcshMusical form -- In literature
dc.titleLanguage and Harmony: Musical Form in T.S. Eliot's "Burnt Norton"
dc.typeThesis
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