Tracing and Chasing the Shadow: The Mysterious Eloquence of Rabi’a

Date
2019
Journal Title
Journal ISSN
Volume Title
Publisher
Producer
Director
Performer
Choreographer
Costume Designer
Music
Videographer
Lighting Designer
Set Designer
Crew Member
Funder
Rehearsal Director
Concert Coordinator
Moderator
Panelist
Alternative Title
Department
Haverford College. Department of Religion
Type
Thesis
Original Format
Running Time
File Format
Place of Publication
Date Span
Copyright Date
Award
Language
eng
Note
Table of Contents
Terms of Use
Rights Holder
Access Restrictions
Dark Archive
Tripod URL
Identifier
Abstract
The tradition of Sufi poetry has been analyzed extensively through the well known works of Rumi, Hafiz, Ibn ‘Arabi, Ibn Farid, Al- Ghazali, Farid al-Din ‘Attar, and Sa’adi—among many others. These well-known figures of Islamic mysticism are most often referred to by those seeking an understanding of the theory of language present in Sufi poetics; however, through the verse of Rabi’a al- Adawiyya (717-801CE), their predecessor and the first saint of Islam, the tradition of Sufi poetry has yet to be given the kind of scholarly attention and analysis it deserves. In this thesis, I will be outlining the theory of Sufi poetics, and applying this theory to analyze the mysterious words of Rabi’a—this analysis demonstrates the ways in which her ecstatic utterances served as a seed from which the language of Sufi poetics grew and flourished. I hope to locate Rabi’a’s ecstatic utterances within the larger tradition of Sufi thought and poetry, as a way to prove her lasting presence, as a hidden and subtle figure woven within and without this particular intellectual tradition.
Description
Maryam Sophia Jahanbin was a Bryn Mawr College student.
Citation
Collections