Institutional Scholarship

Hybrid Cinema- Fiction/Non-fiction and the Exploration of Reality

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dc.contributor.author Sally Berger
dc.date.accessioned 2019-06-11T18:43:23Z
dc.date.available 2019-06-11T18:43:23Z
dc.date.issued 2019-01
dc.identifier.other VISTH206B01.SP19
dc.identifier.uri http://hdl.handle.net/10066/21485
dc.description.abstract How as spectators, makers, activists, scholars, do we respond to the way stories are presented to us as a kind of truth – whether dramatically or realistically told? How do these approaches appeal to or coerce us, overwhelm or satisfy our need for information? This course traces the evolution of “hybrid” cinema – film and media informed by documentary and fiction traditions - from the inception of the moving image to the present. Throughout cinema history, filmmakers have been grappling with the representation of reality: For many trailblazing directors, the interplay between non- fiction and fiction filmmaking has inspired new ways of expressing the complexities of identity and society. en_US
dc.title Hybrid Cinema- Fiction/Non-fiction and the Exploration of Reality en_US
dc.title.alternative VISTH206B01.SP19 en_US


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