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The Rooster and Murrieta: The Outlaw-Figure(s) in I am Joaquín and Gallo de Sinaloa

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dc.contributor.advisor Burshatin, Israel
dc.contributor.author Jauregui-Volpe, Marcelo
dc.date.accessioned 2019-04-05T16:19:02Z
dc.date.available 2019-04-05T16:19:02Z
dc.date.issued 2018
dc.identifier.uri http://hdl.handle.net/10066/20670
dc.description.abstract This thesis centers on the hero-bandits in Rodolfo Gonzales’s epic poem I am Joaquín (1967) and a handful of corridos from Chalino Sánchez’s album Gallo de Sinaloa (release date of this posthumous album is 1995, but many of these corridos were released prior). I am calling these figures hero-bandits due to their tendency to exist on the fringes of society while being entities of admiration. I am Joaquín is an oral history of Mexico and a battle cry of the Chicanx Movement of the 60s. The corridos from Gallo de Sinaloa are isolated tales from life on the Mexico-US border and around Sinaloa. The hero-bandit in these works are the vessels through which these authors attempt to uplift marginalized groups and forge a national and regional identity. I am particularly interested in how these figures are constructed through the corrido and epic genres and why they generate such a mass appeal.
dc.description.sponsorship Bi-College (Haverford and Bryn Mawr Colleges). Comparative Literature Program
dc.language.iso eng
dc.rights.uri http://creativecommons.org/licenses/by-nc/4.0/
dc.title The Rooster and Murrieta: The Outlaw-Figure(s) in I am Joaquín and Gallo de Sinaloa
dc.type Thesis
dc.rights.access Bi-College users only until 2028-01-01, afterwards Tri-College users only.


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