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A Historical Analysis of the Films of Andrei Tarkovsky in Relation to the Post-Thaw Soviet Moment

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dc.contributor.advisor Gerstein, Linda
dc.contributor.advisor Krippner, James
dc.contributor.author Helbock, Gus
dc.date.accessioned 2017-09-01T13:42:31Z
dc.date.available 2017-09-01T13:42:31Z
dc.date.issued 2017
dc.identifier.uri http://hdl.handle.net/10066/19395
dc.description.abstract During the latter half of the twentieth century, Andrei Tarkovsky received arguably more critical admiration for his films than any Soviet director. During his filmmaking career, the Soviet Union experienced a tumultuous socio-cultural, as well as political, moment. After the death of Stalin, the Khrushchev Thaw of the late 1950s and early 1960s allowed for significantly more freedom of expression. It was at this time that Tarkovsky’s career began. However, through the 1960s and 1970s, a reactionary period in Soviet politics led to a return of stringent censorship, making Tarkovsky’s filmmaking process difficult. In the early 1980s, Tarkovsky emigrated to Western Europe, where he completed his final two films before his death in 1986. Due to his contentious relationship with the Soviet state, this thesis will attempt to analyze Tarkovsky and assess his relationship to the Russian intelligentsia and the dissident movements of the late twentieth century, as well as his relationship with spirituality and religion. In order to contextualize Tarkovsky’s place in Russian cultural history, this project will first examine the history of the Russian intelligentsia from the early nineteenth century. Next, it will examine Tarkovsky’s early life, film school career, and various influences on his approach to filmmaking. His filmography proper, consisting of seven completed feature films (five in the USSR, two in Western Europe), will then be analyzed for their relationship to the Russian intelligentsia. His theoretical writings, diaries, and interviews will be used as supplementary materials in order to gain further access to his personal opinions and artistic philosophy.
dc.description.sponsorship Haverford College. Department of History
dc.language.iso en_US en
dc.rights.uri http://creativecommons.org/licenses/by-nc/4.0/
dc.title A Historical Analysis of the Films of Andrei Tarkovsky in Relation to the Post-Thaw Soviet Moment
dc.type Thesis en
dc.rights.access Open Access


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