“Legends malleable in his intellectual furnace” : Nathaniel Hawthorne’s Wonder Book, mythological adaptation, and children’s literature

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2013
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en_US
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Abstract
Nathaniel Hawthorne’s A Wonder Book for Girls and Boys, published in 1851, occupies an important position in the history of children’s literature because of its novel approach to the adaptation of classical mythology and its attitudes towards children as readers. While myth was commonly presented to children in the form of dictionaries or schoolbooks, Hawthorne was the first to use it as the inspiration for pleasurable storytelling. Writing stories intended for children to enjoy in a non-instructional setting, perhaps even along with their parents, Hawthorne heralded a shift in attitudes towards young readers that helped to define how juvenile literature has been written by future authors. My thesis examines the Wonder Book’s creation and impact from multiple perspectives. Part I, “Juvenile Literature Matures,” provides a basic account of the beginnings of children’s literature and Hawthorne’s history with the juvenile market in order to pinpoint the Wonder Book’s significance. In part II, “The Bright Stuff,” I analyze the author’s use of a frame narrative to effectively address an audience of children and adults, and to realize his goals for the stories. This discussion extends into part III, “Hawthorne’s Pandora, Unboxed,” in which I identify strategies of adaptation employed in the Wonder Book, with a particular focus on its interpretation of the Pandora myth, entitled “The Paradise of Children,” and the episode’s reception of its ancient sources. Part IV, “Beyond Hawthorne’s Intellectual Furnace,” closes the paper with a brief look at Hawthorne’s influence on later authors, who have continued to employ his adaptive strategies as myth has become a widely popular form of storytelling for children.
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