Browsing by Subject "Borges, Jorge Luis, 1899-1986 -- Criticism and interpretation"

Now showing 1 - 4 of 4
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    Between Ser and Parecer: Reality and Subjectivity in Cervantes, Unamuno, and Borges
    (2013) Ikeda, Daniel; Schönherr, Ulrich; Sacerio-Garí, Enrique
    In this thesis, I examine how three literary texts—Miguel de Cervantes’s Don Quijote (1615), Miguel de Unamuno’s Niebla [Mist] (1914), and Jorge Luis Borges’s “El Zahir” (1949)—problematize the possibility of a stable, accessible “I” and, in doing so, call into question the prospect of separating appearance from reality and supplying knowledge with a measure of certainty. Using René Descartes’s skepticist hypothesizing in the Meditations as a foil, I contend that each author extends—and indeed comes to privilege—the skeptical conjectures that Descartes eventually discards. By rejecting Descartes’s argument that the “I” may know itself without meaningful interaction with the external world, each author, I suggest, places himself in a position that is at once antithetical to, and consonant with, the modern(izing) project that begins with Descartes. In forging such a “mentality of antinomy” in which notions of appearance/reality, rationality/irrationality, modernity/antimodernity, and realism/idealism are “held in juxtaposition” rather than “integrated” or deconstructed, Unamuno and Borges effectively excavate a Spanish Baroque tradition that begins with Cervantes and his contemporaries and purportedly dies at the close of the 17th century. In extending a Spanish Baroque ethos that resists the reduction of objects to either/or categorizations, Cervantes, Unamuno, and Borges present alternative conceptualizations of reality, conceptualizations that ultimately reject the binaries of mind/body and reality/irreality that Descartes constructs. In doing so, all three adopt positions similar to those of Francisco de Quevedo, Pedro Calderón de la Barca, Lope de Vega, and their Baroque contemporaries, whose opposition to the epistemological developments occurring throughout the rest of Europe found expression in their privileging of contingency over universality, and their textured negotiations of ser [“to be”] and parecer [“to seem to be”].
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    Depictions of Time in Kurt Vonnegut’s Slaughterhouse-Five and Jorge Luis Borges’ Tlön, Uqbar, Orbis Tertius
    (2011) Breakstone, Lauren; Burshatin, Israel
    Do the ideas about time in the novel Slaughterhouse-Five, by Kurt Vonnegut, and the short story Tlön, Uqbar, Orbis Tertius, by Jorge Luis Borges, conflict, coincide, or both? Are these views presented as positive, negative, or both? This paper aims to show that Vonnegut’s and Borges’ ideas about time in these works coincide, and that they present these ideas negatively. Both texts show how time contributes to or constructs one’s understanding of reality, including one’s emotional responses to that reality. Billy Pilgrim and the Tralfamadorians in Slaughterhouse-Five, and the characters promoting Tlön in Borges’ story, are all trying to utilize their views on time to create a positive emotional affect in themselves and others, but for different reasons.
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    Toward an Architectural Literature and a Literary Architecture: Reflections on Kahn, Nabokov and Borges
    (2002) Carr, Jamie; Garcia-Castro, Ramon; Roberts, Deborah H.